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<oembed><version>1.0</version><provider_name>Victorian &amp; Art Deco Architectural Sculptures</provider_name><provider_url>https://randallwolff.com/wordpress</provider_url><title>Model progress - Victorian &amp; Art Deco Architectural Sculptures</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="lnlCLyGkCB"&gt;&lt;a href="https://randallwolff.com/wordpress/2013/09/model-progress-2/"&gt;Model progress&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://randallwolff.com/wordpress/2013/09/model-progress-2/embed/#?secret=lnlCLyGkCB" width="600" height="338" title="&#x201C;Model progress&#x201D; &#x2014; Victorian &amp; Art Deco Architectural Sculptures" data-secret="lnlCLyGkCB" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><description>I decided that since this model is so deep and heavy, I would rough hollow the back out, so I got it off the easel and standing vertically on the work bench so I could unscrew the backer board to access the inside. I probably took out about 35# of clay from the back, it was a bag and a half worth. With it being lighter I screwed the backer board back on and then laid him down flat so I could unscrew the bottom board to give the bottom a curvature. Once that was done I screwed the bottom board back on so it keeps the side baords stable and the model from sliding down from it&#x2019;s own weight as I continue working on it. For scale, the boards are 4-1/2&#x2033; wide. From what I managed to learn, back in the days when these master models were made for building facades this 4&#x2033; or so portion of the back of the models were made from Plaster of Paris, and clay was modelled on top of the hard but still wet plaster and a mold made of the whole thing when it was completed. The plaster would have to be fresh/wet or soaked in water if it had been dry, otherwise it wouls suck the water out of the clay like a sponge and there would be some issues with shrinkage. I&#x2019;ve never done it that way but I can see how it has advantages, for one it absolutely sets the exact size and shape correctly, and when dealing with 100-150# of clay it is easy to distort the shape when it&#x2019;s all solid clay, I&#x2019;ve also not been able to get the perfectly straight sides and nice sharp corners they did by shaping the clay. I can also see how it worked well to have a few standard forms since they would have to have been made in certain exact standard sizes within a limited range that was used. I may try the 4-1/2&#x2033; deep plaster form on a future model. I did quite a bit today on this, much of it reducing the cheeks, nose, changes to the eyes that include altering the style of iris, eyebrow changes and I decided to see how adding some hair under the hat will work figuring with so much of a beard he would have a lot of hair as well. Think I&#x2019;m liking it better now with these test changes.</description><thumbnail_url>http://randallwolff.com/wordpress/wp-content/uploads/2013/09/cowboycurve.jpg</thumbnail_url></oembed>
