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<oembed><version>1.0</version><provider_name>Victorian &amp; Art Deco Architectural Sculptures</provider_name><provider_url>https://randallwolff.com/wordpress</provider_url><title>Terra cotta - Victorian &amp; Art Deco Architectural Sculptures</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="OAQPLPML2s"&gt;&lt;a href="https://randallwolff.com/wordpress/2014/10/terra-cotta/"&gt;Terra cotta&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://randallwolff.com/wordpress/2014/10/terra-cotta/embed/#?secret=OAQPLPML2s" width="600" height="338" title="&#x201C;Terra cotta&#x201D; &#x2014; Victorian &amp; Art Deco Architectural Sculptures" data-secret="OAQPLPML2s" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><description>I now have my kiln back in my home studio after removing it from the gallery basement which seemed like the ideal place for it at the time I bought it. So it&#x2019;s set up now at home where it&#x2019;s much more convienient to monitor. I fired a couple of older raw clay original models with complete success, including the Astor Place subway beaver model which was just 1/4&#x2033; less tall than the inside of the kiln with the lid closed. I&#x2019;m considering &#x201C;converting&#x201D; the Art Deco D5 model into a terracotta line, here&#x2019;s the original clay model that I fired in the kiln a year ago after making the rubber mold for casting it in interior cast-stone and concrete: &nbsp; In order to &#x201C;convert&#x201D; it to enable making them in fired pressed clay, I would have to make a positive cast in rubber and then make a 5 piece plaster mold of that positive rubber cast. The idea of the rubber positive is the rubber is soft and &#x201C;gives&#x201D; so that pulling a hard plaster shell mold off it, undercuts slide right out easily. Once I have the positive rubber I can make molds from that as needed, making one to start with. When the plaster mold is dry then the clay can be hand-pressed into it, allowed to stiffen slightly, removed, dried completely and then fired in the kiln. One thing with the &#x201C;converting&#x201D; is that&#xA0; in the processes there is about a 5% shrinkage of the clay from wet to dry and another 5% shrinkgage during firing for a total of about 10% or 1&#x2033; loss per 10&#x2033; which on this panel will result in it being about 2&#x2033; less wide and maybe 1-1/4&#x2033; less tall. I think this fall/winter I&#x2019;m going to do this. Actually, I decided to go ahead and order the $200 worth of mold rubber I need to make the replacement mold for this since the original mold rubber by Quantum Silicones that I used in 2007 to make the first mold turned out to be total&#xA0; garbage. Hopefully this weekend if the rubber arrives before Friday I will have the master cast all set up and ready to mold Saturday. I should have enough left over from the two gallons added to the left-over rubber I have on hand to make the positive mold too- on Sunday if all goes well. At least with this I can get the process started, I don&#x2019;t have any molding plaster on-hand to make the press-mold with though, and the regular cast stone is not suitable for this as it hardens up extremely hard and is not absorbant as the molding plaster is. I might just get a bag sent to me&#xA0; UPS as I don&#x2019;t want to order a pallet load of material right now. &nbsp; &nbsp; &nbsp;</description><thumbnail_url>http://randallwolff.com/wordpress/wp-content/uploads/2014/10/d5fired-e1414994789538.jpg</thumbnail_url></oembed>
