{"id":2488,"date":"2014-10-20T07:03:10","date_gmt":"2014-10-20T07:03:10","guid":{"rendered":"http:\/\/randallwolff.com\/wordpress\/?p=2488"},"modified":"2014-11-03T06:06:43","modified_gmt":"2014-11-03T06:06:43","slug":"terra-cotta","status":"publish","type":"post","link":"https:\/\/randallwolff.com\/wordpress\/2014\/10\/terra-cotta\/","title":{"rendered":"Terra cotta"},"content":{"rendered":"

I now have my kiln back in my home studio after removing it from the gallery basement which seemed like the ideal place for it at the time I bought it. So it’s set up now at home where it’s much more convienient to monitor.<\/p>\n

I fired a couple of older raw clay original models with complete success, including the Astor Place subway beaver model which was just 1\/4″ less tall than the inside of the kiln with the lid closed.<\/p>\n

I’m considering “converting” the Art Deco D5 model into a terracotta line, here’s the original clay model that I fired in the kiln a year ago after making the rubber mold for casting it in interior cast-stone and concrete:<\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

In order to “convert” it to enable making them in fired pressed clay, I would have to make a positive cast in rubber and then make a 5 piece plaster mold of that positive rubber cast. The idea of the rubber positive is the rubber is soft and “gives” so that pulling a hard plaster shell mold off it, undercuts slide right out easily.<\/p>\n

Once I have the positive rubber I can make molds from that as needed, making one to start with. When the plaster mold is dry then the clay can be hand-pressed into it, allowed to stiffen slightly, removed, dried completely and then fired in the kiln.<\/p>\n

One thing with the “converting” is that\u00a0 in the processes there is about a 5% shrinkage of the clay from wet to dry and another 5% shrinkgage during firing for a total of about 10% or 1″ loss per 10″ which on this panel will result in it being about 2″ less wide and maybe 1-1\/4″ less tall.<\/p>\n

I think this fall\/winter I’m going to do this.<\/del><\/p>\n

Actually, I decided to go ahead and order the $200 worth of mold rubber I need to make the replacement mold for this since the original mold rubber by Quantum Silicones that I used in 2007 to make the first mold turned out to be total\u00a0 garbage. Hopefully this weekend if the rubber arrives before Friday I will have the master cast all set up and ready to mold Saturday.<\/p>\n

I should have enough left over from the two gallons added to the left-over rubber I have on hand to make the positive mold too- on Sunday if all goes well.<\/p>\n

At least with this I can get the process started, I don’t have any molding plaster on-hand to make the press-mold with though, and the regular cast stone is not suitable for this as it hardens up extremely hard and is not absorbant as the molding plaster is.<\/p>\n

I might just get a bag sent to me\u00a0 UPS as I don’t want to order a pallet load of material right now.<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

I now have my kiln back in my home studio after removing it from the gallery basement which seemed like the ideal place for it at the time I bought it. So it’s set up now at home where it’s much more convienient to monitor. I fired a couple of older raw clay original models with complete success, including the Astor Place subway beaver model which was just 1\/4″ less tall than the inside of the kiln with the lid closed. I’m considering “converting” the Art Deco D5 model into a terracotta line, here’s the original clay model that I fired in the kiln a year ago after making the rubber mold for casting it in interior cast-stone and concrete:   In order to “convert” it to enable making them in fired pressed clay, I would have to make a positive cast in rubber and then make a 5 piece plaster mold of that positive rubber cast. The idea of the rubber positive is the rubber is soft and “gives” so that pulling a hard plaster shell mold off it, undercuts slide right out easily. Once I have the positive rubber I can make molds from that as needed, making one to start with. When the plaster mold is dry then the clay can be hand-pressed into it, allowed to stiffen slightly, removed, dried completely and then fired in the kiln. One thing with the “converting” is that\u00a0 in the processes there is about a 5% shrinkage of the clay from wet to dry and another 5% shrinkgage during firing for a total of about 10% or 1″ loss per 10″ which on this panel will result in it being about 2″ less wide and maybe 1-1\/4″ less tall. I think this fall\/winter I’m going to do this. Actually, I decided to go ahead and order the $200 worth of mold rubber I need to make the replacement mold for this since the original mold rubber by Quantum Silicones that I used in 2007 to make the first mold turned out to be total\u00a0 garbage. Hopefully this weekend if the rubber arrives before Friday I will have the master cast all set up and ready to mold Saturday. I should have enough left over from the two gallons added to the left-over rubber I have on hand to make the positive mold too- on Sunday if all goes well. At least with this I can get the process started, I don’t have any molding plaster on-hand to make the press-mold with though, and the regular cast stone is not suitable for this as it hardens up extremely hard and is not absorbant as the molding plaster is. I might just get a bag sent to me\u00a0 UPS as I don’t want to order a pallet load of material right now.      <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2488","post","type-post","status-publish","format-standard","hentry","category-sculptures"],"yoast_head":"\nTerra cotta - Victorian & Art Deco Architectural Sculptures<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/randallwolff.com\/wordpress\/2014\/10\/terra-cotta\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Terra cotta - Victorian & Art Deco Architectural Sculptures\" \/>\n<meta property=\"og:description\" content=\"I now have my kiln back in my home studio after removing it from the gallery basement which seemed like the ideal place for it at the time I bought it. So it’s set up now at home where it’s much more convienient to monitor. I fired a couple of older raw clay original models with complete success, including the Astor Place subway beaver model which was just 1\/4″ less tall than the inside of the kiln with the lid closed. I’m considering “converting” the Art Deco D5 model into a terracotta line, here’s the original clay model that I fired in the kiln a year ago after making the rubber mold for casting it in interior cast-stone and concrete:   In order to “convert” it to enable making them in fired pressed clay, I would have to make a positive cast in rubber and then make a 5 piece plaster mold of that positive rubber cast. The idea of the rubber positive is the rubber is soft and “gives” so that pulling a hard plaster shell mold off it, undercuts slide right out easily. Once I have the positive rubber I can make molds from that as needed, making one to start with. When the plaster mold is dry then the clay can be hand-pressed into it, allowed to stiffen slightly, removed, dried completely and then fired in the kiln. One thing with the “converting” is that\u00a0 in the processes there is about a 5% shrinkage of the clay from wet to dry and another 5% shrinkgage during firing for a total of about 10% or 1″ loss per 10″ which on this panel will result in it being about 2″ less wide and maybe 1-1\/4″ less tall. I think this fall\/winter I’m going to do this. Actually, I decided to go ahead and order the $200 worth of mold rubber I need to make the replacement mold for this since the original mold rubber by Quantum Silicones that I used in 2007 to make the first mold turned out to be total\u00a0 garbage. Hopefully this weekend if the rubber arrives before Friday I will have the master cast all set up and ready to mold Saturday. I should have enough left over from the two gallons added to the left-over rubber I have on hand to make the positive mold too- on Sunday if all goes well. At least with this I can get the process started, I don’t have any molding plaster on-hand to make the press-mold with though, and the regular cast stone is not suitable for this as it hardens up extremely hard and is not absorbant as the molding plaster is. I might just get a bag sent to me\u00a0 UPS as I don’t want to order a pallet load of material right now.      \" \/>\n<meta property=\"og:url\" content=\"https:\/\/randallwolff.com\/wordpress\/2014\/10\/terra-cotta\/\" \/>\n<meta property=\"og:site_name\" content=\"Victorian & Art Deco Architectural Sculptures\" \/>\n<meta property=\"article:published_time\" content=\"2014-10-20T07:03:10+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-11-03T06:06:43+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/randallwolff.com\/wordpress\/wp-content\/uploads\/2014\/10\/d5fired-e1414994789538.jpg\" \/>\n<meta name=\"author\" content=\"Admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/randallwolff.com\\\/wordpress\\\/2014\\\/10\\\/terra-cotta\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/randallwolff.com\\\/wordpress\\\/2014\\\/10\\\/terra-cotta\\\/\"},\"author\":{\"name\":\"Admin\",\"@id\":\"https:\\\/\\\/randallwolff.com\\\/wordpress\\\/#\\\/schema\\\/person\\\/80655524fc6621a8dd496877179e2248\"},\"headline\":\"Terra cotta\",\"datePublished\":\"2014-10-20T07:03:10+00:00\",\"dateModified\":\"2014-11-03T06:06:43+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/randallwolff.com\\\/wordpress\\\/2014\\\/10\\\/terra-cotta\\\/\"},\"wordCount\":466,\"image\":{\"@id\":\"https:\\\/\\\/randallwolff.com\\\/wordpress\\\/2014\\\/10\\\/terra-cotta\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/randallwolff.com\\\/wordpress\\\/wp-content\\\/uploads\\\/2014\\\/10\\\/d5fired-e1414994789538.jpg\",\"articleSection\":[\"Architectural Sculptures\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/randallwolff.com\\\/wordpress\\\/2014\\\/10\\\/terra-cotta\\\/\",\"url\":\"https:\\\/\\\/randallwolff.com\\\/wordpress\\\/2014\\\/10\\\/terra-cotta\\\/\",\"name\":\"Terra cotta - 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So it’s set up now at home where it’s much more convienient to monitor. I fired a couple of older raw clay original models with complete success, including the Astor Place subway beaver model which was just 1\/4″ less tall than the inside of the kiln with the lid closed. I’m considering “converting” the Art Deco D5 model into a terracotta line, here’s the original clay model that I fired in the kiln a year ago after making the rubber mold for casting it in interior cast-stone and concrete:   In order to “convert” it to enable making them in fired pressed clay, I would have to make a positive cast in rubber and then make a 5 piece plaster mold of that positive rubber cast. The idea of the rubber positive is the rubber is soft and “gives” so that pulling a hard plaster shell mold off it, undercuts slide right out easily. Once I have the positive rubber I can make molds from that as needed, making one to start with. 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I should have enough left over from the two gallons added to the left-over rubber I have on hand to make the positive mold too- on Sunday if all goes well. At least with this I can get the process started, I don’t have any molding plaster on-hand to make the press-mold with though, and the regular cast stone is not suitable for this as it hardens up extremely hard and is not absorbant as the molding plaster is. 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